Liboi and Kayrop Collaborate on Ethereal EP ‘Nani Alisema’ Releasing Friday, 25/7

The Kenyan Afro House music producer and DJ Kayrop, along with African contemporary singer Liboi, are thrilled to present “Nani Alisema,” which translates loosely to “Who Said?” The artists immerse themselves in a body of work that challenges their conventional creative and sonic direction, frequently drawing on their personal experiences during the creation process. 

The frantic, socially conscious album “Nani Alisema” features four powerfully moving melodies that highlight the concepts of love, forgiveness, unity, and belonging. With a contemplative tone and Afro-fusion roots, the EP is a personal audio journey that strikes a balance between individual reflection and group healing, all while drawing on the warmth and knowledge of African storytelling. 

The four tunes on the EP are Tupendane, Twende Sote, Nani Alisema, and Nyumbani. Afro-fusion and electronic undertones are woven into its distinctive sound, combining the two musicians’ different but complementary musical talents to create a sonic experience that uplifts listeners and speaks to their souls.

On July 11, 2025, the EP’s opening track, “Twende Sote,” was released, and people all over the continent and beyond are already giving it a lot of attention. Spotify and other DSPs have promoted the release with additions to their flagship dance playlists, including Afro House Pulse (37), New Music Friday Kenya, and “Oontz” (24). By exploring Afro-House-influenced music, Liboi is putting her repertoire in the correct locations and expanding both her fan base and her musical portfolio. 

Every song on the EP, according to the creators, is a narrative of feeling and personal experience. In “Nani Alisema,” the tenacity required in relationships and love is explored, while “Nyumbani” is a heartfelt plea for a loved one to return home. Meanwhile, the theme of “Twende Sote & Tupendane” is one of compassion, harmony, and peace. “Our shared intention to speak on themes that matter, like love, home, unity, and healing, but through a sound that gets people moving, was what really grounded this project,” says Liboi. You may both dance and reflect to this music.

This EP is a daring venture into unexplored terrain for Kayrop. He clarifies that “Nani Alisema” is an emotion rather than just sound. In order to remind ourselves that we are all connected, loved, and at home wherever we dance, we combine contemporary energy with Afro-rooted rhythms. The combination of electronic beats and Lingala-inspired melodies in “Nyumbani” is only one example of Kayrop’s innovative approach to instrumentation, which adds a distinct viewpoint to the partnership. In more detail, he says, “What if an electronic musician created a song with Lingala influences? “Nyumbani,” a blend of electronic energy and percussion and melodies influenced by the Lingala, was inspired by that inquiry.

The sound of Kayrop is different with this EP. “This is a very different project than what I usually do,” he explains. A lot of live instrumentation is used in it, including layered guitar rhythms and African drumming in several tracks. I was drawn to collaborate with Liboi because of her distinct musical style. Although she sings about profound issues like love, unity, and togetherness, her melodies and words feel natural. She approaches each song with purpose and heart.

Like any great collaboration, the depth gained from the contributions of other artists is incalculable. Liboi emphasized the important contributions of Ugandan-based UK producer-sound engineer Dominic Clare, guitarist Henry Ngugi, and percussionists Moses Akhonya and Eric Mwangangi, who are in high demand in Nairobi. According to her, “each person’s craft added layers of flavor and depth, making the EP not only cohesive but also rich with emotion and energy.” Even when Kayrop was unsure, the colleagues readily confirmed his claims. The way each artist incorporated their own creativity and interpreted our ideas enhanced the project as a whole, he remarked. They went above and beyond to make up for the times I felt like something was lacking, which just deepened my appreciation for the song.

With an eye on the future, both artists have made intriguing suggestions. There is undoubtedly a lot in store for my admirers, as Liboi hinted. Keep an eye on this area. Similar to her, Kayrop said, “More music. More energy. Keep an eye out since I might be on the next stage, somewhere.